Connecting Chords With Linear Harmony by Bert Ligon
Author:Bert Ligon [Ligon, Bert]
Language: eng
Format: epub
Tags: music, Printed Music, General
ISBN: 9781476863122
Google: xXMSAQAAQBAJ
Publisher: Hal Leonard Corporation
Published: 1996-05-01T23:51:48.733747+00:00
Barron begins with the upper and lower neighbor tones to the target note. The flatted notes over the F7 anticipate the B flat minor. The A flat and G flat give the line more downward momentum. The target notes are still on or near the strong downbeats.
104. Kenny Barron:
Jackson begins these two similar examples on the target note and fills in with arpeggiated tones. Ex.105 encircles the second target note (B) and chromatically approaches the last target note (E); all target notes occur on the downbeats. Ex.106 includes a little more chromaticism, delays the target note B, and descends to the last note from the seventh. In both examples, Jackson altered the ninths on the dominant chord.
105. Milt Jackson:
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